My background is in data, BI, and consulting, where I spent 13 years working across technical delivery, business needs, and team coordination. That experience shaped the way I work: bringing structure to complexity, moving through ambiguity, and building with clarity and intention.

Over the last year and a half, AI became a serious focus for me. I started with LLMs, exploring how they could improve documentation, coding support, and workflows, and later moved into visual AI and filmmaking. What began as exploration quickly became a committed practice.

Music has also been a big part of my life. As a bass player, I developed a strong sensitivity to rhythm, sound, and emotion — something that now connects naturally with image, atmosphere, and storytelling. For me, AI filmmaking is where structure, iteration, music, and cinematic language come together.